Products Page

Aptly named “Aerial” depicts a pair of leaf motifs in repeat as if floating across the width of the fabric. Inspired by a naïve, early 19th Century block print, this stunning design is treated in contemporary ground colours enlivened with a shot of bold colour from zesty lime to vibrant pink.

‘Folia’ is a flamboyant leaf design which glories in the diversity of shape and colour found in tropical foliage and flowers. Boldly drawn and beautifully arranged it is printed on textured cotton in five colourways.

‘Lilia’, a cotton and viscose fils-coupe weave of giant alliums has a wonderful embroidered effect

100% Cotton Sateen lining is the definitive traditional quality standard for curtain linings. Its smooth appearance and durability ensures that it hangs in soft drapes and helps protect the face fabric.

100% Cotton Sateen lining is the definitive traditional quality standard for curtain linings. Its smooth appearance and durability ensures that it hangs in soft drapes and helps protect the face fabric.

100% Cotton Sateen lining is the definitive traditional quality standard for curtain linings. Its smooth appearance and durability ensures that it hangs in soft drapes and helps protect the face fabric.

‘Adele’ is a faithful reproduction of a late 19th century French copper roller design. It has been re-engraved directly from the original fabric and portrays loose bouquets of peonies. This design retains the delicate transparency of the original with each bunch of flowers widely spaced, giving this print a graceful and uncluttered feel.

‘Adele’ is a faithful reproduction of a late 19th century French copper roller design. It has been re-engraved directly from the original fabric and portrays loose bouquets of peonies. This design retains the delicate transparency of the original with each bunch of flowers widely spaced, giving this print a graceful and uncluttered feel.

‘Adele’ is a faithful reproduction of a late 19th century French copper roller design. It has been re-engraved directly from the original fabric and portrays loose bouquets of peonies. This design retains the delicate transparency of the original with each bunch of flowers widely spaced, giving this print a graceful and uncluttered feel.

‘Adele’ is a faithful reproduction of a late 19th century French copper roller design. It has been re-engraved directly from the original fabric and portrays loose bouquets of peonies. This design retains the delicate transparency of the original with each bunch of flowers widely spaced, giving this print a graceful and uncluttered feel.

‘Adele’ is a faithful reproduction of a late 19th century French copper roller design. It has been re-engraved directly from the original fabric and portrays loose bouquets of peonies. This design retains the delicate transparency of the original with each bunch of flowers widely spaced, giving this print a graceful and uncluttered feel.

Aptly named “Aerial” depicts a pair of leaf motifs in repeat as if floating across the width of the fabric. Inspired by a naïve, early 19th Century block print, this stunning design is treated in contemporary ground colours enlivened with a shot of bold colour from zesty lime to vibrant pink.

Aptly named “Aerial” depicts a pair of leaf motifs in repeat as if floating across the width of the fabric. Inspired by a naïve, early 19th Century block print, this stunning design is treated in contemporary ground colours enlivened with a shot of bold colour from zesty lime to vibrant pink.

Aptly named “Aerial” depicts a pair of leaf motifs in repeat as if floating across the width of the fabric. Inspired by a naïve, early 19th Century block print, this stunning design is treated in contemporary ground colours enlivened with a shot of bold colour from zesty lime to vibrant pink.

Aptly named “Aerial” depicts a pair of leaf motifs in repeat as if floating across the width of the fabric. Inspired by a naïve, early 19th Century block print, this stunning design is treated in contemporary ground colours enlivened with a shot of bold colour from zesty lime to vibrant pink.

Aptly named “Aerial” depicts a pair of leaf motifs in repeat as if floating across the width of the fabric. Inspired by a naïve, early 19th Century block print, this stunning design is treated in contemporary ground colours enlivened with a shot of bold colour from zesty lime to vibrant pink.

Aptly named “Aerial” depicts a pair of leaf motifs in repeat as if floating across the width of the fabric. Inspired by a naïve, early 19th Century block print, this stunning design is treated in contemporary ground colours enlivened with a shot of bold colour from zesty lime to vibrant pink.

Aptly named “Aerial” depicts a pair of leaf motifs in repeat as if floating across the width of the fabric. Inspired by a naïve, early 19th Century block print, this stunning design is treated in contemporary ground colours enlivened with a shot of bold colour from zesty lime to vibrant pink.

Aptly named “Aerial” depicts a pair of leaf motifs in repeat as if floating across the width of the fabric. Inspired by a naïve, early 19th Century block print, this stunning design is treated in contemporary ground colours enlivened with a shot of bold colour from zesty lime to vibrant pink.

‘Aerial’ a smart jacquard woven with linen, viscose and cotton are both available in six colourways.

‘Aerial’ a smart jacquard woven with linen, viscose and cotton are both available in six colourways.

‘Aerial’ a smart jacquard woven with linen, viscose and cotton are both available in six colourways.

‘Aerial’ a smart jacquard woven with linen, viscose and cotton are both available in six colourways.

‘Aerial’ a smart jacquard woven with linen, viscose and cotton are both available in six colourways.

‘Aerial’ a smart jacquard woven with linen, viscose and cotton are both available in six colourways.

‘Aesop’s Fables’ was taken from a multi-coloured print from Mulhouse in France dating to the 19th century. This adaptation was painted in monotone colours first and then the painted design was pressed onto damp linen transferring the textures of the pattern. This toile features well-loved scenes from Aesop’s Fables such as The Tortoise and the Hare and The Fox and the Stork.

‘Aesop’s Fables’ was taken from a multi-coloured print from Mulhouse in France dating to the 19th century. This adaptation was painted in monotone colours first and then the painted design was pressed onto damp linen transferring the textures of the pattern. This toile features well-loved scenes from Aesop’s Fables such as The Tortoise and the Hare and The Fox and the Stork.

‘Aesop’s Fables’ was taken from a multi-coloured print from Mulhouse in France dating to the 19th century. This adaptation was painted in monotone colours first and then the painted design was pressed onto damp linen transferring the textures of the pattern. This toile features well-loved scenes from Aesop’s Fables such as The Tortoise and the Hare and The Fox and the Stork.

“Anais” depicts peony blossoms massed together against a background of leaves. The use of subtle watercolour tones heightens the romantic feel of this pretty design which is printed on glazed cotton.

“Anais” depicts peony blossoms massed together against a background of leaves. The use of subtle watercolour tones heightens the romantic feel of this pretty design which is printed on glazed cotton.

“Anais” depicts peony blossoms massed together against a background of leaves. The use of subtle watercolour tones heightens the romantic feel of this pretty design which is printed on glazed cotton.

Anemone shows three separate anemone flowers redrawn from historical prints. Although botanically accurate, the stylised hand and unusual layout make this a very contemporary design, the effect enhanced by the majestic scale of the flower heads which are set against four subtle shades of mushroom, aqua, linden and lilac. Printed on cotton / linen it has a soft glazed finish.

Anemone’ shows three separate anemone flowers redrawn from historical prints. Although botanically accurate, the stylised hand and unusual layout make this a very contemporary design, the effect enhanced by the majestic scale of the flower heads which are set against four subtle shades of mushroom, aqua, linden and lilac. Printed on cotton / linen it has a soft glazed finish.

‘Anemone’ shows three separate anemone flowers redrawn from historical prints. Although botanically accurate, the stylised hand and unusual layout make this a very contemporary design, the effect enhanced by the majestic scale of the flower heads which are set against four subtle shades of mushroom, aqua, linden and lilac. Printed on cotton / linen it has a soft glazed finish.

‘Anemone’ shows three separate anemone flowers redrawn from historical prints. Although botanically accurate, the stylised hand and unusual layout make this a very contemporary design, the effect enhanced by the majestic scale of the flower heads which are set against four subtle shades of mushroom, aqua, linden and lilac. Printed on cotton / linen it has a soft glazed finish.

A softly textured plain, woven on a strie ground with an ottoman construction. Suitable for both drapes and upholstery.

A softly textured plain, woven on a strie ground with an ottoman construction. Suitable for both drapes and upholstery.

A softly textured plain, woven on a strie ground with an ottoman construction. Suitable for both drapes and upholstery.

A softly textured plain, woven on a strie ground with an ottoman construction. Suitable for both drapes and upholstery.

A softly textured plain, woven on a strie ground with an ottoman construction. Suitable for both drapes and upholstery.

A softly textured plain, woven on a strie ground with an ottoman construction. Suitable for both drapes and upholstery.

A softly textured plain, woven on a strie ground with an ottoman construction. Suitable for both drapes and upholstery.

A softly textured plain, woven on a strie ground with an ottoman construction. Suitable for both drapes and upholstery.

A softly textured plain, woven on a strie ground with an ottoman construction. Suitable for both drapes and upholstery.

A softly textured plain, woven on a strie ground with an ottoman construction. Suitable for both drapes and upholstery.

A softly textured plain, woven on a strie ground with an ottoman construction. Suitable for both drapes and upholstery.

A softly textured plain, woven on a strie ground with an ottoman construction. Suitable for both drapes and upholstery.

3 pass blackout lining, with a softness and drape, designed to provide total darkness, and also offer excellent sound insulation, energy saving and thermal properties.

3 pass blackout lining, with a softness and drape, designed to provide total darkness, and also offer excellent sound insulation, energy saving and thermal properties.

“Calliope” is a multicoloured embroidery featuring a small floral motif in a simple repeat. Four of its ten colourways are included in the Options 10 Co-ordinate book.

“Calliope” is a multicoloured embroidery featuring a small floral motif in a simple repeat. Four of its ten colourways are included in the Options 10 Co-ordinate book.

“Calliope” is a multicoloured embroidery featuring a small floral motif in a simple repeat. Four of its ten colourways are included in the Options 10 Co-ordinate book.

“Calliope” is a multicoloured embroidery featuring a small floral motif in a simple repeat. Four of its ten colourways are included in the Options 10 Co-ordinate book.

“Calliope” is a multicoloured embroidery featuring a small floral motif in a simple repeat. Four of its ten colourways are included in the Options 10 Co-ordinate book.

“Calliope” is a multicoloured embroidery featuring a small floral motif in a simple repeat. Four of its ten colourways are included in the Options 10 Co-ordinate book.

“Calliope” is a multicoloured embroidery featuring a small floral motif in a simple repeat. Four of its ten colourways are included in the Options 10 Co-ordinate book.

“Calliope” is a multicoloured embroidery featuring a small floral motif in a simple repeat. Four of its ten colourways are included in the Options 10 Co-ordinate book.

“Calliope” is a multicoloured embroidery featuring a small floral motif in a simple repeat. Four of its ten colourways are included in the Options 10 Co-ordinate book.

“Calliope” is a multicoloured embroidery featuring a small floral motif in a simple repeat. Four of its ten colourways are included in the Options 10 Co-ordinate book.

“Callisto”, a vivacious, eclectic design, takes its name from the beautiful Greek nymph. Inspired by an archive document of French surface printed and using a vibrant mix of colours, the stylised trailing flower heads have been revitalised to create a design perfect for contemporary interiors

“Callisto”, a vivacious, eclectic design, takes its name from the beautiful Greek nymph. Inspired by an archive document of French surface printed and using a vibrant mix of colours, the stylised trailing flower heads have been revitalised to create a design perfect for contemporary interiors

“Callisto”, a vivacious, eclectic design, takes its name from the beautiful Greek nymph. Inspired by an archive document of French surface printed and using a vibrant mix of colours, the stylised trailing flower heads have been revitalised to create a design perfect for contemporary interiors

“Callisto”, a vivacious, eclectic design, takes its name from the beautiful Greek nymph. Inspired by an archive document of French surface printed and using a vibrant mix of colours, the stylised trailing flower heads have been revitalised to create a design perfect for contemporary interiors

“Callisto”, a vivacious, eclectic design, takes its name from the beautiful Greek nymph. Inspired by an archive document of French surface printed and using a vibrant mix of colours, the stylised trailing flower heads have been revitalised to create a design perfect for contemporary interiors

“Callisto”, a vivacious, eclectic design, takes its name from the beautiful Greek nymph. Inspired by an archive document of French surface printed and using a vibrant mix of colours, the stylised trailing flower heads have been revitalised to create a design perfect for contemporary interiors

“Callisto”, a vivacious, eclectic design, takes its name from the beautiful Greek nymph. Inspired by an archive document of French surface printed and using a vibrant mix of colours, the stylised trailing flower heads have been revitalised to create a design perfect for contemporary interiors

‘Camellia Blossom’ is a smaller scale floral with delicate stems of camellia printed on a fine pinstripe ground. The original Victorian document from which it was taken was printed by copper roller on fine glazed cotton. This version is printed on linen union in four colourways, using gold, lilac and magentas. ‘Camellia Blossom’ is suitable for both curtains and upholstery.

‘Camellia Blossom’ is a smaller scale floral with delicate stems of camellia printed on a fine pinstripe ground. The original Victorian document from which it was taken was printed by copper roller on fine glazed cotton. This version is printed on linen union in four colourways, using gold, lilac and magentas. ‘Camellia Blossom’ is suitable for both curtains and upholstery.

‘Camellia Blossom’ is a smaller scale floral with delicate stems of camellia printed on a fine pinstripe ground. The original Victorian document from which it was taken was printed by copper roller on fine glazed cotton. This version is printed on linen union in four colourways, using gold, lilac and magentas. ‘Camellia Blossom’ is suitable for both curtains and upholstery.

‘Camellia Blossom’ is a smaller scale floral with delicate stems of camellia printed on a fine pinstripe ground. The original Victorian document from which it was taken was printed by copper roller on fine glazed cotton. This version is printed on linen union in four colourways, using gold, lilac and magentas. ‘Camellia Blossom’ is suitable for both curtains and upholstery.

‘Caverley’ is based on an early 19th century hand block print depicting birds perched on a leafy bough with full blossoms. Although the principle bird has a distinctly exotic appearance, the design is typically English in style. The original print effect created by the blocks has been retained to achieve a rich, textural fabric suitable for curtains and upholstery.

‘Caverley’ is based on an early 19th century hand block print depicting birds perched on a leafy bough with full blossoms. Although the principle bird has a distinctly exotic appearance, the design is typically English in style. The original print effect created by the blocks has been retained to achieve a rich, textural fabric suitable for curtains and upholstery.

‘Caverley’ is based on an early 19th century hand block print depicting birds perched on a leafy bough with full blossoms. Although the principle bird has a distinctly exotic appearance, the design is typically English in style. The original print effect created by the blocks has been retained to achieve a rich, textural fabric suitable for curtains and upholstery.

‘Caverley’ is based on an early 19th century hand block print depicting birds perched on a leafy bough with full blossoms. Although the principle bird has a distinctly exotic appearance, the design is typically English in style. The original print effect created by the blocks has been retained to achieve a rich, textural fabric suitable for curtains and upholstery.

Taking its name from the Greek goddess, “Ceres” sees tonally coloured roundels dancing across the width of the fabric amongst a trail of subtly textured leaves. Inspired by a 19th Century Indian pashmina carpet, the design has a beautiful worn quality, capturing the character of the original textile.

Taking its name from the Greek goddess, “Ceres” sees tonally coloured roundels dancing across the width of the fabric amongst a trail of subtly textured leaves. Inspired by a 19th Century Indian pashmina carpet, the design has a beautiful worn quality, capturing the character of the original textile.

Taking its name from the Greek goddess, “Ceres” sees tonally coloured roundels dancing across the width of the fabric amongst a trail of subtly textured leaves. Inspired by a 19th Century Indian pashmina carpet, the design has a beautiful worn quality, capturing the character of the original textile.

Taking its name from the Greek goddess, “Ceres” sees tonally coloured roundels dancing across the width of the fabric amongst a trail of subtly textured leaves. Inspired by a 19th Century Indian pashmina carpet, the design has a beautiful worn quality, capturing the character of the original textile.

Taking its name from the Greek goddess, “Ceres” sees tonally coloured roundels dancing across the width of the fabric amongst a trail of subtly textured leaves. Inspired by a 19th Century Indian pashmina carpet, the design has a beautiful worn quality, capturing the character of the original textile.

Taking its name from the Greek goddess, “Ceres” sees tonally coloured roundels dancing across the width of the fabric amongst a trail of subtly textured leaves. Inspired by a 19th Century Indian pashmina carpet, the design has a beautiful worn quality, capturing the character of the original textile.

‘Ceres’ is a striking cut velvet design with large, stylised chrysanthemum flower heads arranged in a geometric pattern surrounded by trailing leaves. Two contrasting colours create the cut pile of this rich velvet in each of the eight colourways making it perfect for statement upholstery.

‘Ceres’ is a striking cut velvet design with large, stylised chrysanthemum flower heads arranged in a geometric pattern surrounded by trailing leaves. Two contrasting colours create the cut pile of this rich velvet in each of the eight colourways making it perfect for statement upholstery.

‘Ceres’ is a striking cut velvet design with large, stylised chrysanthemum flower heads arranged in a geometric pattern surrounded by trailing leaves. Two contrasting colours create the cut pile of this rich velvet in each of the eight colourways making it perfect for statement upholstery.

‘Ceres’ is a striking cut velvet design with large, stylised chrysanthemum flower heads arranged in a geometric pattern surrounded by trailing leaves. Two contrasting colours create the cut pile of this rich velvet in each of the eight colourways making it perfect for statement upholstery.

‘Ceres’ is a striking cut velvet design with large, stylised chrysanthemum flower heads arranged in a geometric pattern surrounded by trailing leaves. Two contrasting colours create the cut pile of this rich velvet in each of the eight colourways making it perfect for statement upholstery.

‘Ceres’ is a striking cut velvet design with large, stylised chrysanthemum flower heads arranged in a geometric pattern surrounded by trailing leaves. Two contrasting colours create the cut pile of this rich velvet in each of the eight colourways making it perfect for statement upholstery.

‘Ceres’ is a striking cut velvet design with large, stylised chrysanthemum flower heads arranged in a geometric pattern surrounded by trailing leaves. Two contrasting colours create the cut pile of this rich velvet in each of the eight colourways making it perfect for statement upholstery.

‘Ceres’ is a striking cut velvet design with large, stylised chrysanthemum flower heads arranged in a geometric pattern surrounded by trailing leaves. Two contrasting colours create the cut pile of this rich velvet in each of the eight colourways making it perfect for statement upholstery.

“Copacabana” is a striking design, with a tropical pattern of fruit and flowers printed on cotton panama with a graphic stencilled style. Available in four vibrant colourways.

“Copacabana” is a striking design, with a tropical pattern of fruit and flowers printed on cotton panama with a graphic stencilled style. Available in four vibrant colourways.

“Copacabana” is a striking design, with a tropical pattern of fruit and flowers printed on cotton panama with a graphic stencilled style. Available in four vibrant colourways.

“Copacabana” is a striking design, with a tropical pattern of fruit and flowers printed on cotton panama with a graphic stencilled style. Available in four vibrant colourways.

Interlinings are used to improve the drape of curtains, producing a more luxurious appearance. In addition, pinch pleats and pencil pleats are given more prominence, and the density of interlinings increases the thermal and sound insulation properties of curtains.

A fresh and contemporary design, “Cowparsley” features tiny jewel-like flowers layered with lacy ferns on five lively coloured backgrounds

A fresh and contemporary design, “Cowparsley” features tiny jewel-like flowers layered with lacy ferns on five lively coloured backgrounds

Contemporary designer, Fiona Howard, designed this fun and funky 50’s retro pattern for the Sanderson studio in 2009. The design, which features stylised dandelion heads with seeds radiating from a central point, is now available in two new, bright colourways.

Contemporary designer, Fiona Howard, designed this fun and funky 50’s retro pattern for the Sanderson studio in 2009. The design, which features stylised dandelion heads with seeds radiating from a central point, is now available in two new, bright colourways.

Contemporary designer, Fiona Howard, designed this fun and funky 50’s retro pattern for the Sanderson studio in 2009. The design, which features stylised dandelion heads with seeds radiating from a central point, is now available in two new, bright colourways.

Contemporary designer, Fiona Howard, designed this fun and funky 50’s retro pattern for the Sanderson studio in 2009. The design, which features stylised dandelion heads with seeds radiating from a central point, is now available in two new, bright colourways.

Contemporary designer, Fiona Howard, designed this fun and funky 50’s retro pattern for the Sanderson studio in 2009. The design, which features stylised dandelion heads with seeds radiating from a central point, is now available in two new, bright colourways.

Contemporary designer, Fiona Howard, designed this fun and funky 50’s retro pattern for the Sanderson studio in 2009. The design, which features stylised dandelion heads with seeds radiating from a central point, is now available in two new, bright colourways.

“Dandelion Embroidery” is stylish embroideries on cotton grounds which beautifully co-ordinate with the print collection. It takes the motif found in the print, Dandelion Clocks, as a central element and as a result the two harmonise faultlessly.

“Dandelion Embroidery” is stylish embroideries on cotton grounds which beautifully co-ordinate with the print collection. It takes the motif found in the print, Dandelion Clocks, as a central element and as a result the two harmonise faultlessly.

“Dandelion Embroidery” is stylish embroideries on cotton grounds which beautifully co-ordinate with the print collection. It takes the motif found in the print, Dandelion Clocks, as a central element and as a result the two harmonise faultlessly.

“Dandelion Embroidery” is stylish embroideries on cotton grounds which beautifully co-ordinate with the print collection. It takes the motif found in the print, Dandelion Clocks, as a central element and as a result the two harmonise faultlessly.

“Dandelion Embroidery” is stylish embroideries on cotton grounds which beautifully co-ordinate with the print collection. It takes the motif found in the print, Dandelion Clocks, as a central element and as a result the two harmonise faultlessly.

“Dandelion Embroidery” is stylish embroideries on cotton grounds which beautifully co-ordinate with the print collection. It takes the motif found in the print, Dandelion Clocks, as a central element and as a result the two harmonise faultlessly.

Dating from 1929, this Eton Rural fabric design of bold tulips has been redrawn in the Sanderson studio. The original sample shows a full arrangement of colourful tulip heads painted with a highly textured effect. Originally the design was printed by rotary surface machine, a method no longer used today. It is now also available as a wallpaper.

Dating from 1929, this Eaton Rural fabric design of bold tulips has been redrawn in the Sanderson studio. The original sample shows a full arrangement of colourful tulip heads painted with a highly textured effect. Originally the design was printed by rotary surface machine, a method no longer used today. It is now also available as a wallpaper.

Dating from 1929, this Eton Rural fabric design of bold tulips has been redrawn in the Sanderson studio. The original sample shows a full arrangement of colourful tulip heads painted with a highly textured effect. Originally the design was printed by rotary surface machine, a method no longer used today. It is now also available as a wallpaper.

Dating from 1929, this Eton Rural fabric design of bold tulips has been redrawn in the Sanderson studio. The original sample shows a full arrangement of colourful tulip heads painted with a highly textured effect. Originally the design was printed by rotary surface machine, a method no longer used today. It is now also available as a wallpaper.

Designed in 1957 by the Parisian studio, Pollet, ‘Eglantine’ is a charmingly romantic composition of rose branches and petals, illustrating a loose painterly style typical of French designs of the 1950s. It is now also available as a wallpaper.

Designed in 1957 by the Parisian studio, Pollet, ‘Eglantine’ is a charmingly romantic composition of rose branches and petals, illustrating a loose painterly style typical of French designs of the 1950s. It is now also available as a wallpaper.

Designed in 1957 by the Parisian studio, Pollet, ‘Eglantine’ is a charmingly romantic composition of rose branches and petals, illustrating a loose painterly style typical of French designs of the 1950s. It is now also available as a wallpaper.

Designed in 1957 by the Parisian studio, Pollet, ‘Eglantine’ is a charmingly romantic composition of rose branches and petals, illustrating a loose painterly style typical of French designs of the 1950s. It is now also available as a wallpaper.

‘Festival’ is a reproduction of a design specially created for the Festival of Britain in 1951. The design is typical of the era with bold abstract shapes and blocks of colour. It is printed in five colourways on a heavy 100% cotton.

‘Festival’ is a reproduction of a design specially created for the Festival of Britain in 1951. The design is typical of the era with bold abstract shapes and blocks of colour. It is printed in five colourways on a heavy 100% cotton.

‘Festival’ is a reproduction of a design specially created for the Festival of Britain in 1951. The design is typical of the era with bold abstract shapes and blocks of colour. It is printed in five colourways on a heavy 100% cotton.

‘Festival’ is a reproduction of a design specially created for the Festival of Britain in 1951. The design is typical of the era with bold abstract shapes and blocks of colour. It is printed in five colourways on a heavy 100% cotton.

‘Festival’ is a reproduction of a design specially created for the Festival of Britain in 1951. The design is typical of the era with bold abstract shapes and blocks of colour. It is printed in five colourways on a heavy 100% cotton.

Finches is a fanciful design of brightly painted birds on a background of a monotone pen and ink drawing of delicate entwined branches. The soft hues of the background and a glazed finish enhance the youthful, fresh appeal of this charming design.

Finches is a fanciful design of brightly painted birds on a background of a monotone pen and ink drawing of delicate entwined branches. The soft hues of the background and a glazed finish enhance the youthful, fresh appeal of this charming design.

Finches is a fanciful design of brightly painted birds on a background of a monotone pen and ink drawing of delicate entwined branches. The soft hues of the background and a glazed finish enhance the youthful, fresh appeal of this charming design.

‘Fiore Stripe’ is a 100% silk stripe which combines the softness of a satin ribbon with the crispness of taffeta. The colours are delicate and understated and are the perfect complement to many of the floral prints and papers; it comes in six tonal colourways

‘Fiore Stripe’ is a 100% silk stripe which combines the softness of a satin ribbon with the crispness of taffeta. The colours are delicate and understated and are the perfect complement to many of the floral prints and papers; it comes in six tonal colourways

‘Fiore Stripe’ is a 100% silk stripe which combines the softness of a satin ribbon with the crispness of taffeta. The colours are delicate and understated and are the perfect complement to many of the floral prints and papers; it comes in six tonal colourways

‘Fiore Stripe’ is a 100% silk stripe which combines the softness of a satin ribbon with the crispness of taffeta. The colours are delicate and understated and are the perfect complement to many of the floral prints and papers; it comes in six tonal colourways

‘Fiore Stripe’ is a 100% silk stripe which combines the softness of a satin ribbon with the crispness of taffeta. The colours are delicate and understated and are the perfect complement to many of the floral prints and papers; it comes in six tonal colourways

‘Fiore Stripe’ is a 100% silk stripe which combines the softness of a satin ribbon with the crispness of taffeta. The colours are delicate and understated and are the perfect complement to many of the floral prints and papers; it comes in six tonal colourways

‘Folia’ is a flamboyant leaf design which glories in the diversity of shape and colour found in tropical foliage and flowers. Boldly drawn and beautifully arranged it is printed on textured cotton in five colourways.